Showing posts with label Melodic Metalcore. Show all posts
Showing posts with label Melodic Metalcore. Show all posts

Wednesday, January 25, 2012

Record Review: World in Arms - "Strong at Heart" (self-released)

Genre: Melodic Metalcore
Country: Providence, US
Label: - (self released) 

Metalcore can be both a good and a bad thing; and in this case it is a VERY good thing. World in Arms plays emotive, modern metallic hardcore that the same time hits harder than the proverbial ten ton hammer. This is no joke; these guys took the lead from all good things in US metalcore and went to create a masterpiece of pent up emotions, accumulated sadness and blind rage.

The ep (7 tracks in total) starts of with an heavy youth crew-ish intro and the phrase "you did this to your self" manically shouted with gang vocals. This is the type of shit that shows me right away the record will fucking rule. The driving guitars contrast the gnarly vocals, the latter (along with the lyric subjects) clearly placing this band in hardcore and not so much in metal. The vocals - and I don't say this easily - are some of the best I've heard lately in this genre. There is so much passion and anger in them, but also a heavy dose of melancholy and despair. We're talking really thick, raspy vocals with a unique identity, and obviously totally removed from the Terror clones you hear every day. Dude also attacks with some ear destroying death metal vocals evey now and then, and puts the cherry on the cake with some classic (in HC) spoken words over the music.

World in Arms continues to wreck shit all trhough the album, but there also is the correct amount of diversity to keep things interesting. There are some clever and super bouncy beatdown parts that luckily don't last forever, and thus serve their purpose boosting the songs and making them sound more groovy. Then again, there are some cool clean parts that are not emo by any means, but do add a bit of atmosphere to the whole outcome. These parts make the ep sound really modern and give it a strange avant garde (dare I say) aura. But let us not kid ourselves; it's the guitars that shape most of the things around here, with the aggressive yet melodic approach which brings to mind stuff like Misery Signals or even With Honor. This is good shit!

I just want to sum this up by saying that even though metalcore is looked down by some as the flavor of the day, let us not dismiss the bands who are doing things with heart and do have something to offer. Music styles, values and aesthetics come and go as fashions in hardcore, but there are always those who are true -- and this you can suss right away. World in Arms is just like that, and they hit so fucking hard. You won't forget them easily so get into them.

Fotis TxYxS

Sunday, December 4, 2011

Record Review: LIGEIA "Welcome to Palm City" (self-released)

Ligeia return after a two-year hiatus and they choose the most direct way to reach their fans: by offering them their new record for free download. No record labels or other merchants in between, just the band and the listener. I personally support this DIY attitude! This is also why I got into this review. According to Keith Holuk (singer), this decision was a present to all the kids that supported them throughout the years. The download file contains also a booklet with cover, lyrics, photos and info. Thumbs up!

Ligeia was formed in Massachusetts, USA back in 2003. The group has 2 records with Ferret Music under its belt, 2006’s Your Ghost is a Gift and Bad News released in 2008. We are talking about a very experienced band that has managed to play over 600 shows in a 2-year period between 2006 and 2009! That is to say they have the attitude of spreading their music by playing all over the place wherever they can, which is respectable.

The EP kicks in quite fast and hard without wasting any moment. During the first half a minute of ‘Simulated Drowning’ there is a newschool melodic hardcore passage ala Ruiner/Modern Life Is War.  Soon after different aspects of their music are coming into surface like the standard modern metalcore vocal ranges (from pop punk to distorted screams). I need to mention the nice rocking riff at 01:20 leading to a breakdown. The song closes with a dramatic hardcore melody and some poppy vocals on top. The second number ‘Two Weeks Notice’ is more typical metalcore style but has a drunken rocking touch that reminds a bit of Every Time I Die.

Welcome to Palm City contains some memorable songs like the ‘Vodka Demon’ (with guest vocals from Drew York of Stray from the Path) or moments like the driving riff at the beginning of ‘Lie To Me’. The production is neat and clean by Jay DeLuca at The Bear’s Den studio and delivers what Ligeia wants, albeit it does not manage to move much from the standard. Especially the rhythm section has the modern cliché plastic sound, although the musicianship is quite accomplished. However, there is more stand out work on the guitars, they have an exceptionally versatile sound that is less distorted and more rocking in comparison.


Overall, this EP kept me hooked throughout the listen, although I am not too much in this type of hardcore music. It marks some progress for the band since their last effort Bad News: they sound more ‘mature’, with improved guitar work and more serious lyrics. What makes a difference with the rest of this overpopulated scene is the honesty of the band and their more melodic hardcore approach. At least, I prefer this EP than the new super-selling overproduced metalcore stars The Devil Wears Prada or Asking Alexandria not to mention Design The Skyline, who are all drenched in synths that remind impoverished black metallers like Dimmu Borgir.   

I am thankful to Ligeia for sharing these 20 minutes of music with us! You can have it yourself here: